Blog Post Categories

Pages

Recent Forum Posts

Recent Comments

Archives

Links

Meta

Bookmark and Share

Tag cloud




  • TOP 15 Popular Articles


  • Top Comment Authors

    • Ingo (297)
    • Jean-François (116)
    • Jeff - Anthony (36)
    • Dermot O'Reilly (28)
    • Erik (21)
    • TheWizzard29 (21)
    • Knopfleberg (20)
    • zach (20)
    • Philipp (19)
    • Fletch (17)
    • Morten (17)
    • John (14)
    • Jim (13)
    • Ryan T. (11)
    • thomas (11)
    • liftedcj7on44s (10)
    • Alex Mircica (9)
    • danny (9)
    • Jakehadlee (9)
    • jude (9)
    • Eduard (8)
    • Antonio (7)
    • Chris (7)
    • Eric (7)
    • Jeff (7)


    In this article I will cover a little chord progression that Mark Knopfler apparently discovered some day and – as he sees himself mainly as a songwriter – directly translated into a song. He often learned such little patterns and licks by accident – finding something when playing for hours – or learned them from one of his mates, people like the great Chet Atkins, pedal-steel player Paul Franklin, or Richard Bennet.

    Here is a little audio clip where Knopfler plays the particular riff I am going to talk about. Here he plays it in the key of G, one full note lower than in the Vic and Ray example below.

    Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

    This pattern appears in the song Vic and Ray from Knopfler’s first solo album Golden Heart (1996). It starts with an A7 chord fragment, followed by a G chord with the B in the bass, and finally another A chord, with the C# in ths bass.

    First as a tab:

    vic and ray tab

    Here as pictures, showing each of the three shapes you have to play in red:

    Vic and Ray 2

    VicandRay3

    VicandRay4

    Note that from shape one to two, one note (the g on the d-string) remains the same and can be sustained, and that the third shape is the same as the second, just two frets higher which means you simply need to slide two frets higher. Check out my video below for left hand fingering (I found there are two ways that work for me).

    Adding a chromatic transition chord for Money for Nothing lick

    It was only recently when I realized that the funny chromatic licks that Knopfler played at the beginning of Money for nothing in Nimes on the On Every Street tour (1992) make use of the same pattern, you only have to add another shape – the chord between shape two and three in the pictured above:

    vicandray5

    Then move it to the key of G (two frets lower), followed by the same pattern in C, next in D, and you have those chords for Money for nothing (see my video, at 5:10 it also contains a link that takes you directly to a clip showing Knopfler playing that thing in Money for Nothing).

    "Buy me a beer" - donate for the site via PayPal. Or buy a backing track in my online shop :)

    Related articles



    5 Comments »

    1. Ingo – I think that all came from one of Marks fav albums Chester and Lester (Chet and Les).
      http://www.youtube.com/watch?v=HfjD680wQJI
      brilliant info as usual!

      Comment by Dermot O'Reilly — 13. July 2009 @ 13:53

    2. Really great, as usual.
      I love this chord progression but I never tried to play it.
      Thank you for this video !

      Comment by stratocasteph — 13. July 2009 @ 16:05

    3. Brillant post Ingo, as usual.

      Sorry to ask, but were is that audio extract from ? I’ve no idea were you this !

      Comment by Florian — 15. July 2009 @ 21:24

    4. hi ingo, please keep this amazing work comming. Love you site so interesting ang great. Thank you for waste your time in this explanations to help us. Great job, again

      Comment by george — 19. July 2009 @ 22:40

    5. Thank you so much for this great information! Keep up this great work.

      Comment by Joern — 20. July 2009 @ 15:49

    RSS feed for comments on this post. TrackBack URL

    Leave a comment