After the last video in which I already  compared the VFS-1 pickup to a 1955 Fender Strat pickup and to the DiMarzio FS-1, here is a first demo of the complete Schecter-style pickguard with the VFS-1 pickups. I was jamming in the Mark Knopfler style over a self-produced 2 chords backing groove on my metallic pink Strat, which is mainly a 1983 Japanese vintage Squier but with a new bird’s eye maple neck. You are hearing the combination of neck & middle pickups, the switches are in the up position (tapped coil). More demos of others of the 26 possible sound combinations will follow.

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Related articles

• The VFS-1 – New pick-up for our Schecter-style pickguards
• How close is the VFS-1 Pickup to the Original Fender Vintage and the DiMarzio FS-1?
• Demoing pickup combinations of the Schecter style pickguards
• Limited Alchemy Edition of the white Schecter pickguard
• White Aluminium Schecter-style pickguards now available
• Schecter-style loaded pickguard now shipping

I recently introduced the new VFS-1 pickup as an alternative to the F500T-style (Schecter-style) pickups in our loaded pickguards, and I already started to work on some video demos of  the complete VFS-1 pickup assembly , the first of these should come within the next days. What I can present today is a side-by-side comparison of the new VFS-1 pickup against the two pickups that inspired us to design this model: the DiMarzio FS-1 (which Mark Knopfler had in the neck position of his red Fender Stratocaster when he started Dire Straits), and a ‘real’  Fender vintage Strat pickup – remember, the VFS-1 is a tapped pickup which gives you two different sounds, so we need to compare it to both.

To get the true picture, I first recorded a few chords and licks with one of my Strats, one which features a DiMarzio FS-1 (a rather old model from the early 80ies, vintage itself) in the neck position and a 1955  (!!)  Strat pickup (no rewound, all original) in the middle position.  The recording was done directly into a PCM recorder at 24 bits  (using a good buffer of course to catch the full sound of the pickups), no effects, no amp, just as direct as possible.

Then  I opened the guitar (after I had measured the exact distance between the pole pieces and the strings), put out these two pickups, and installed two VFS-1. The one in the neck position runs on the full coil (DiMarzio sound), the one in the middle position on the tapped coil (vintage sound). I adjusted them to exactly the same distance between  strings and magnets, then put the strings (the same!) on again, and recorded the same chords and licks with this setup.

As it is almost impossible to play the same licks at exactly identical volume and with 100% the same ‘touch’,  I  often played two or three versions of each licks , sometimes with different attack (soft, medium, loud).

The result

The following video lets you hear the results for yourself.  I replaced the audio track from the camera with the high-quality version from the PCM recorder. Remember, the guitar was recorded directly, no amp or effects, not even EQ, no nothing. Instead of showing one complete  recording first and then the other, I edited the files to have corresponding licks directly behind each other. (I will try to offer a download possibility of the uncompressed WAV file soon in case someone feels that youtube’s conversion algorithms  might have deteriorated the sound quality of the video).

I myself must say that I am fascinated how close we managed to get to the sound we wanted. Harry Häussel’s pickups generally have highest reputation – at least here in Germany and already among ‘people who know’ all over the world – but given the fact that we had to deal with two totally different sounds, and thus two totally different pickup designs, I think the result is astonishing. I really felt to check twice I had not confused any files and used audio from the same pickups, but – I give you my word – it is true, nothing has been done wrong, faked, or changed.

The VFS-1 for the neck position to get the early Dire Straits sound

Besides from being used optionally in the loaded Schecter-style pickguards, the VFS-1 is ideal for all Dire Straits fans to put it into the neck position of any Strat to get the fat DiMarzio sound. I have the DiMarzio FS-1 in some of my Strats but I often miss the vintage neck-position sound, with the FS-1 you have it all and lose nothing. I used the 2 & 3 position (neck & middle) with the DiMarzio and a vintage pickup on my attempt to recreate that Sultans of Swing sound for the Puresolo competition since it sounds noticeably different from the in-between position with two identical pickups, more open, less nasal.

If youI don’t like to change the look of a guitar with additional switches (like me),  you can replace one tone poti with a push/pull poti (also available in our shop) to switch between the coil taps.  It is no problem to wire the switch of the push/pull in such a way that you get the sound you mainly use at the pushed-in position, and then pull it when you need the alternate sound.

Check out the VFS-1 in our shop

(Note: Due to high demand I have only a limited stock of the VFS-1 at the moment, new ones are expected soon.  It might take a few days for delivery for this reason.)

"Buy me a beer" - donate for the site via PayPal. Or buy a backing track in my online shop :)

Related articles

• First demo of the VFS-1 pickguard
• The VFS-1 – New pick-up for our Schecter-style pickguards
• Loaded pickguards now available in black
• Demoing pickup combinations of the Schecter style pickguards
• Limited Alchemy Edition of the white Schecter pickguard
• White Aluminium Schecter-style pickguards now available

Our loaded metal pickguards are now available with a new pick-up model: the VFS-1. V stands for vintage, F for fat, (and S for Strat).

Unlike our Schecter-style pick-up (which is very close to a Schecter F500T), the new pick-up has the “normal” sized magnet pole pieces, like a vintage Strat pick-up, and can be used with a plastic cap (the F500Ts do not allow to put a cap on them). So it looks and sounds similar to the Seymour Duncan SSL1s or APS-1 that Mark Knopfler played in his red Schecter dream machine Strat. But that’s not all, the VFS-1 has also a second outer coil to create  fatter sounds, similar to the DiMarzio FS-1 that Mark Knopfler played in his red Fender of early Dire Straits days.

In other words, the new tapped pick-up allows two sounds that can be toggled with the up/off/down mini switches of our pickguards. You will have the same 27 sound combinations from the three mini switches as with the F500T pick-ups. In the up-position of the mini switch the sound will be  much closer to the vintage Strat sound than the thinner but bassier  sound of the F500T.

The new pick-up is also ideal for all who would like to have a DiMarzio FS-1 in the neck position of their Strat for those Single-Handed-Sailor sounds but do not want to lose the normal Strat sound. You can e.g. switch the outer coil on or off with a push-pull poti (available here) so that the overall look of the original Strat is not changed.

The price of this pick-up is the same as of our F500T-style pickups, and the loaded pickguard also costs the same as with the old type (which of course will also remain available). Sound demo clips coming soon. [edit:  here is one which A/B compares the VFS-1 to both a 1955 Strat pickup and to a DiMarzio FS-1, more to come]

See the VFS-1 in our shop.

"Buy me a beer" - donate for the site via PayPal. Or buy a backing track in my online shop :)

Related articles

• First demo of the VFS-1 pickguard
• How close is the VFS-1 Pickup to the Original Fender Vintage and the DiMarzio FS-1?
• Demoing pickup combinations of the Schecter style pickguards
• Limited Alchemy Edition of the white Schecter pickguard
• White Aluminium Schecter-style pickguards now available
• Schecter-style loaded pickguard now shipping