Fender Stratocaster 1961

The ultimate Mark Knopfler gear database: Fender Stratocaster 1961

Manufacturer:Fender
Model:Stratocaster
Year:1961
Serial No.:68354
Colour:stripped to bare wood when he got it, refinished to red in late 1978 (similar to fiesta red but more intense), finish cracked in early 90ies and was refinished again
Woods:alder body / maple neck/ Brazilian rosewood fingerboard
Pickups:original pickups in bridge&middle position, DiMarzio FS-1 in neck position in 70ies and probably 80ies, was probably replaced to an original Strat pickup (or reissue) in the 90ies
Strings:only little information available, possibly thin (08 or 09) strings with Dire Straits, possibly D’addario 09 – 42 on the Sailing to Philadelphia tour
First seen with MK:summer 1977
Still in MK’s possession/Last seen:yes

 

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Info: This was Mark Knopfler’s first Stratocaster. This guitar changed his tone (he mainly played a Gibson Les Paul Special before) and playing style, e.g. he immediately adapted some chords and patterns of Sultans of Swing – which was originally composed on his National steel guitar – to the new sound he got with this guitar plugged into a Vibrolux amp. This Strat- and his second red Fender Strat, the one with the maple neck – were the guitars to create Knopfler’s unique guitar sound on the first two Dire Straits albums. It is almost impossible to tell which of the two Strats was played on which song on the albums. On tour he normally prefered one of the two and used the other as backup, changing his preference after a few weeks again (a detailed list here).

The volume knob was replaced with a black plastic knob. In fact the poti itself was replaced to one with a solid shaft so that the original knob did not fit anymore. This was already true on the first available pictures of this guitar so presumably the modification had been done before he got it.  The volume knob was on the middle poti. We don’t know if only the knobs were exchanged or if the function of the potis was modified as well (compare the blog post on the idea behind the  iSound-ST).

The tremolo back plate is missing, some pictures seem to indicate that the tremolo had 5 springs.

After he changed to Schecters for the Making Movies tour in 1980, this guitar was only rarely used but made a comeback for the recording of On Every Street, and also on some songs on the Sailing to Philadelphia tour in 2001. The guitar was restored to the original condition (no black volume knob, volume knob on the upper poti again, no DiMarzio anymore) as can be seen on the picture  below.

He still owns it, it is one of the guitars that seem to be around in the room over his British Grove studio.

Related blog posts:
New picture of the Sultans Strat before being refinished to red
Early Dire Straits: Which of the two red Fenders was used in which concert?
Pictures from Hamburg Oct. 28, 1978 (?)
Early Dire Straits picture
Features and specs of a ’61 Vintage Stratocaster

Pictures

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Before the guitar was refinished to red (1977)

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9 thoughts on “Fender Stratocaster 1961

  1. 1)I always wondered about this girl pic on the body
    where does it comes from ?
    is it a paint ? a sticker ?
    Why is it only on few pictures and not all the time ?
    Does it mean the guitar had been refinished more than one time ?
    do you know any pictures of Mark playing live with this ?
    the only ones I know are the ones where he’s laying on the ground

    2)when I saw him during 2005 tour, I was a bit far from the stage, and at first I thought he was playing on this strat. I tought “my god !” he’s playing Telegraph Road on the red 61 ! Because I had in mind that the guitar had made his comeback in 2001 (WII and WT)
    But it’s only the day after I realized it was the signature model !
    shame ! I would prefer he kept this one, instead of playing a recent guitar.
    I like the idea that a guitarist is playing on the same old guitar from many years, like Gilmour on his black strat, SRV on #1, Gibbons on pearly gates, EC on Blackie or Brownie, Page on his 59 LP, and so on
    I find that playing on a guitar built nowadays loss a little bit of magic….

    But on another hand, hendrix was “against” vintage-mania, he only pleyd guitars from his era, i.e 66-69 guitars. So I guess if he was alive, maybe would he play strats from the 90 or 2000 ? who knows…..

  2. nice one the late picture uploaded with Phil Lynott.
    according to Mark’s clothes, it looks like being the same gig shown in BBC Arena , isn’t it ?

  3. Also if you have a look at the grain on the back of the neck, it clearly shows its not a quarter sawn neck, due to the knots in the timber. Just something i thought i would mention.

  4. Definitely 2 piece alder body after seeing the unfinished photos, considering its not a quarter sawn neck i would also assume the body is just a standard cut too.

  5. . He is a disgruntled ex-PRS deealr, and there are plenty of sites explaining the reason, so I won’t go into it here. Just don’t believe a word he says.PRS started hand carving guitars in his apartment, and has gone through many changes to his present factory with CNC machines, etc.Too much history to delve into here, but a little searching on the web will be an education(except for the Ed Roman BS)There may be better guitars out there, some at least equal if not better as in Thorn guitars, Baker, MacInturff(sp) to name a few. Gibson and Fender Custom Shop are supposed to be right up there, I just don’t have any experience with them.I love my PRS guitars, especially the Custom 22 Soapbar models with 3 P90 pickups. I have one of each, a maple board one, and a rosewood board one.Also a McCarty model with Indian Rosewood neck and WCR pickups.Also have 2 different custom 24 s, though the same, sound a bit different from each other.Any questions shoot them to me, if I don’t know the answer, I’ll find out. sorry to ramble on.Allan.

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