Guitars

Sunburst and unburst Les Pauls from the late 50ies

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Have you ever wondered why Mark Knopfler’s Gibson Les Pauls (he has a ’58, a ’59, and some replicas of late 50ies models) differ so much in their colour? And what is the colour called, simply sunburst, or is it cherry sunburst, or tobacco sunburst? Have you ever heard the term ‘unburst’? The answer is simple: all those Les Paul Standards from that era (they were only built in this version from ’58 to ’60) were cherry sunburst, a sunburst which goes from red on the outer area to yellow in the center. However, the red paint Gibson used in those days was very sensitive to light exposure (especially UV radiation) and easily faded. This is a general problem of red, but it depends of […]

Vintage guitars

Guitar portrait: 1983 Squier Stratocaster JV pink metallic

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After the portrait of the fiesta red 1983 Squier Stratocaster, today’s article features another Japanese vintage Squier, this time an ultra-rare model in all original pink metallic finish. Since all important facts about that great JV series that was available in 1982-83 only have been mentioned in two previous articles (the mentioned portrait of the  fiesta red 1983 Squier Stratocaster, and the article about Japanese vintage guitars), I will not repeat these things and concentrate only on this particular guitar. It is the only one in metallic pink I have seen, and before I did not even know that this colour was available. In fact the first Squier Strats were all sunburst, and in 1983 fiesta red, black, and white were added. These were all […]

Guitar in general

Guitar portrait: 1983 Squier JV Stratocaster, fiesta red

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Some general info about Japanese vintage guitars from the early 80ies was subject in one of the last articles. This time I want to feature my fiesta red Squier Strat from the almost legendary JV series. It was simply the overall quality of these guitars that left such a deep impact when they appeared on the scene in about 1982. These Squiers were copies of vintage Strats, to be precise, of a ’57 or ’62 Stratocaster. Other companies like Tokai or Greco had started to copy vintage Strat in detail at a really high quality shortly before, and the Squiers were Fender’s reaction to this trend: if we cannot stop the others, we can do the same ourselve, so the made a deal with the […]