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    The bootleg Dire Straits – Leeds – January 30 (31?), 1978 is one of the earliest Dire Straits live recordings (actually the only earlier live recording is  only one song – Eastbound Train from the Hope & Anchor pub, London, December 1977). This bootleg concert was recorded about one week before the recoding sessions for the very first Dire Straits album. This gig was the last of a short England tour, where Dire Straits played support for the Talking Heads. For this reason they did not play a full-length concert set.

    The bootleg is from a soundboard recording on a tape cassette and contains the following songs: Southbound Again – Eastbound Train – Down to the Waterline – In the Gallery – Water of Love – Setting me up – Me and my friends – Real Girl – Sultans of Swing

    Unfortunately the original tape  was damaged in the solo of the first song – Southbound Again – the reason why the last part of this song is missing. It continues with Eastbound Train (first seconds also missing), but we don’t know how long it took to fix the tape problem (or even to notice the problem) so we don’t know whether there have been any other songs in between or not.

    There are no pictures or videos of this concert, but there are a few pictures around from the concert one day before, January 29, at the Roundhouse in London. These pictures are all black&white, but on some you can see a part of the backline gear, which has been very likely the same for all concerts on that tour. The best picture is the following, a rather small picture from a story in Q magazine from 1987.

    It is rather hard to see any details. What you can see are three amps. The one in the middle (behind Knopfler’s head) is the brown Fender Vibrolux (he still owns this amp and uses it in his British Grove studios). The square-shaped amp on the left of it is also a Fender, as it seems a black face, and according to the proportions a 4 x 10″ combo. I first suspected it to be a Super Reverb, but meanwhile think it is a Fender Concert Amp (no reverb). The amp on the right is a Music Man, and is probably played by Mark’s brother David. It is not the 212 Music Man that Knopfler used later this year because this would be higher than the Vibrolux. It must be a 2 x 10″ combo.

    The guitar is Mark’s maple-neck Fender # 80470, with its white non-original pickguard (see this article for more information on the pickguard issue). The guitar behind Mark seems to be his rosewood Fender # 68354, I suspect it is still bare wood finish here, I assume it was painted red not before summer that year.

    As it seems David plays his Fender Strat, the one that later was black, but here it is also still wood finish (possibly both were refinished at the same time). Unfortunately you cannot see any effects or other details.

    "Buy me a beer" - donate for the site via PayPal. Or buy a backing track in my online shop :)

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    6 Comments »

    1. [...] c) Two pictures from the Roundhouse, London, January 1978 (more info). [...]

      Pingback by Mark Knopfler’s Sultans of Swing amp - The brown Fender Vibrolux | Mark Knopfler Guitar / More Knowledge about the guitar — 13. January 2009 @ 18:30

    2. [...] what the amp next to it is, but my guess is a blackface Fender Concert Amp, the same you can see in this article of this blog. I suspect it was borrowed from Mark’s Notting Hillbilly friend Brendan Croker. [...]

      Pingback by Gear on one of the first Dire Straits gigs on the Clapham Common bandstand | Mark Knopfler Guitar / More Knowledge about the guitar — 22. January 2009 @ 20:35

    3. you say Mark plays the maple-neck Fender # 80470, with its white non-original pickguard

      how can you see on such a pic which pickguard it is ? Difficult to be sure about the colour and the position of the volume poti.
      I think the reason you say that is because in January 78, he just have bought the mapple one, so he didn’t have swapped the pickguards yet ?

      Comment by Jean-François — 24. January 2009 @ 09:51

    4. There are a few more pictures of this gig around, and on these you can see it clearly. I agree on *this* one you cannot see any details at all.

      Ingo

      Comment by Ingo — 27. January 2009 @ 16:24

    5. Greetings,
      Excellent site sir, just happened upon it yesterday while searching for brown Fender amp info. Unless I’ve missed it, has any thought been given to brother David’s guitar tone, which was also an important ingredient to the early DS sound? I always thought he played a tele in the middle position, but the live stuff has him playing a strat, middle pickup mostly I would guess. It would be interesting to know more about that aspect of the early sound. Cheers and thanks.

      Comment by Shawn — 27. December 2011 @ 14:20

    6. Right, David’s guitar sound was an ingredient of the early DS sound, too. He first played his Strat, then the sunburst Tele (that Mark still own these days), and a Peavey T-60 for some time. His amp was a Peave Deuce, there is a blog post about this amp at http://www.mk-guitar.com/blog/2011/06/28/the-peavey-deuce-vt-david-knopflers-amp-with-dire-straits/

      Comment by Ingo — 10. January 2012 @ 12:34

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