The Schecter Story: Schecter Guitar Research – Dream Machines – The Van Nuys Era

In the 80ies, Mark Knopfler was probably the most famous user of Schecter guitars. He bought several Schecters in 1980 at Rudy’s Music Stop in New York, mainly because he was looking for a guitar that was easier to play and better suited for the high demands on the road than the vintage Fenders he played before. Also his former girl-friend played a Schecter which he said was much better than his Fender guitars.

So what was the story behind the Schecter company?

Schecter Guitar Research started around 1976 in Van Nuys, California, when David Schecter opened his repair and custom guitar shop. He soon started to produce his own quality guitar parts which were intended to replace some stock parts on common guitars. Especially the Fender Stratocaster and Telecaster were the ideal guitar to be hot-rodded, since all their parts could be replaced much easier than with the laminated constructions that Gibson used, and the quality of Fender guitars was possibly at the lowest in the Fender history.

We got it all - a Schecter ad from 1979

Because of their background as supplier of upgrade parts, Schecter soon was mainly known for

(a) exotic woods

Unlike Fender who build their guitars from rather common woods (ash, elder, maple,..), Schecter specialized in beautiful exotic woods, like Shedua, Koa, Cocobola, Pau Fero, Mahogany, Rosewood, Purple Heart, or figured maple (necks), or Red Oak, Paduak, Zebrawood, Teak, Koa, Anjico, Imbuya, and many more (bodies). As you see, trading with protected tropical woods was not an issue in the 70ies yet.

All necks were one-piece which means they did not have a separate fingerboard (as Mark Knopfler’s red Tele had, but this was a very late model). They had 21 frets, 22 frets were a later trend started by heavy metal guitarists in the 80ies. If you upgraded your guitar with such a beautiful exotic wood, you don’t want to hide it behind a solid finish, consequently the typical Schecter guitar was bare wood, or an oil finish, although laquer was offered for additional charge.

exotic woods for necks, from left to right: Pau Fero, Shedua, Cocobola

(b) brass hardware

In the seventies it was common believe that a guitar should ideally be rather heavy in order to have a lot of sustain. Surprisingly today many players prefer light-weighted woods, and talk rather about tone than sustain. One way to improve sustain – which means how long a note will last – was to replace the steel hardware with brass hardware. For this reason not only Schecter but also Mighty Mite – the second big parts supplier – and Fender themselves offered brass hardware as an upgrade in the late 70ies. Fender even released an upgraded Stratocaster with the model name The Strat in 1980 that came with a brass bridge, a brass nut, and matching brass knobs. By the way, Schecter also supplied the big manufactureres like Fender and Gibson with parts, so possibly some of the brass master series parts by Fender were actually produced by Schecter.

(c) beefed-up pick-ups

In the 70ies, there were hardly any high-gain amps, again something that was more a child of the 80ies. Nevertheless, the first amp manufacturers or amp repair specialists were successful with offering high-gain mods, e.g. the first Mesa Boogies based on a Fender circuit that was modified to have more distortion. Another way to increase the distortion abilities was to replace the stock Fender pick-ups with overwound pick-ups. This was what DiMarzio started in the early 70ies. Instead of the common 7,000-8,000 windings you simply put much more on a Stratocaster pick-up. This way the pick-up became louder and had less treble but more mids. The drawback: you would loose the original Strat sound which was great for clear sounds. Here David Schecter came in with the invention of the F500T pick-up, the first successful tapped pick-up. Tapped means that the F500T was a beefed-up pick-up with almost twice as much windings than a standard Fender pick-up, but it had a tap after the normal number of windings, so you could “switch off” the second half of the coil so to say. For this reason the pick-up did not have the normal two cables but three (ground, half coil, full coil). The pick-up coils were switched by three mini switches with three positions each (tapped, off, full), instead of the Fender 5-way switch.

The assembled Schecter F400T pickguard often sells for over 1,000 € on ebay

The Dream Machines

After a few years Schecter was very successful and their product range had grown so that they actually had each part of a Fender guitar in their catalogue. So it was nothing but the next logical step to offer complete guitars. These were put together by one of their qualified retailers (e.g. Rudy’s Music Stop was one of them), and marketed as Dream Machines. The five Strats (red, red, blue, sunburst, plus replacement sunburst) and the black Tele were Dream Machines. The red Tele as well, but he got this about 3 or 4 years later.

Schecter Dream Machine

Some more detail difference between a dream machine and a stock Fender (except the points mentioned above): two strap pins at the bottom (Schecters were often heavy, and this way the player could change the balance by using one or the other pin), metal pickguards, only two knobs (one volume, one tone), treble-bleed capacitor to reduce treble loss when reducing volume (similar to the telecaster circuit), two long-life plastic conductor potis, and sometimes no fingeboard dots.

The end of the era

About 1983 Schecter was sold to – officially – a group of Texan investors, who moved over the business to Dallas, Texas. They still offered parts and complete guitars, but the quality was apparently different to what it was before. Here is an inofficial insider story I read in a forum:

One of the laeding sales guys at Schecter had origins in the ‘meat-packing industry’ – some weird people who made obscure deals. Before being accused of spreading false rumour, I prefer to quote the following:

“They basically write contracts to people that wanna save money on their meat purchases, by buying 1/2 a cow, and getting the cut and packed into convenient sizes. Don’t have a freezer big enough? They’ll sell you a freezer too, just sign the contract. Then they sell the contract to a finance company. If they get too many complaints, they simply move their operation to another county or another state.

Apparently, Shel didn’t use their investment money very wisely, and the meat-packers were getting pissed. I don’t know whether it was before, during, or after this problem, but at some point, Dave [Schecter] decided he had enough and split (or was forced out; that part is still unclear to me), leaving the company in Shel’s hands. At some point the meat-packing investors decided that they had had enough, too.

One night. around midnight, they showed up in meat delivery trucks at Schecter after the place had closed, broke the locks, went in, and grabbed everything they could grab: guitars, pickups, winding machines, office furniture, everything that wasn’t bolted down (and a few things that were), loaded their trucks and split – for Dallas, Texas.”

So according to this source, the whole Schecter Californian shop was robbed out and the inventory sold from Dallas. This would explain why the Dallas era guitars still have many identical parts while other parts seem to be from other sources, and the overall quality was lacking.

Later the name Schecter was sold to a Japanese investor who moved back the company to California. The new Schecter company made many original models,aiming mainly at the heavy metal scene. It seems besides the name this company has nothing to do with the original Schecter company.

36 thoughts on “The Schecter Story: Schecter Guitar Research – Dream Machines – The Van Nuys Era

  1. Well written, but I thought you were not very interested in vintage Schecters?

    I’ve been searching for a good old Schecter strat, but eventually gave up, they are too rare and when you find one, it’s overpriced imo. They are fantastic guitars, but I think old vintage Fenders are relatively a better investment and easier to find. Maybe I’ll once buy Rudy Pensa’s copy of the Dream Machine (MK80) but I doubt it will feel the same as an old Schecter.

    For those who are interested in Van Nuys Schecters, check out for more info.

    1. I have a Schecter strat, that seems to be ’57 repro. I bought it used in ’82. It’s black, with single-ply white guard (8-hole). What’s a good price? I might sell.

  2. Oh thanks,that tells me more about that awesome brand!Unfortunately,here in italy,never seen one…and i clearly doubt to see some in the future…:(

    Anyway at the moment there are many other not-too-clear-things about schecter…for example..the brand does not accept to be related to ESP (though they are owned by the same japanese guy…something obvious also taking a look at the 2010 H series LTD,really identical to hellraisers).And what about those outstanding instruments from Schecter Japan? Not at all related to diamond schecters too,the say…but who knows…

    Anyway something that will never change: Schecter always ruled and will rules forever.Period.

    1. Hi zado. I havo to correct you. Here in italy there’s THE schecter, the one Ingo reviewed. It belongs to a famous guitar player. You can find more info and the actual pictures on his facebook page.

      1. This information is not correct. The sunburst Schecter that belonged to Mark for many years belongs to a collector now, and he has no facebook page at all. It is still where it was when I had the honour to play it some years ago.

    2. HI, I’m in Milano and i have one of them;) i know i’m relly lucky to have found a Van Nuys jewel…

  3. Is it possible for you to tell me, if we have a Schecter Dream Machine?
    The owner is my father in law.

    She had the two strap pins, 3 Potis (2 of them are Push/Pull), 2 Humbuckers and a “no dot” neck.
    The seller in the 80’s said, she was build in a series of five Guitars and it was the only model sold in Germany.
    Pictures are here:

    Greetings from Germany

  4. Definately a Dream Machine. It’s been a long time ago Ive seen one in such a good condition. It even has an original Van Nuys S-serial! This guitar is worth very much. If Rune S. (a well known Schecter collector) has one of these for sale (rarely) they go for €3000-4000,-…

  5. Thank you Erik!
    We wont sell this Guitar. I just wanted to know the Model.

    Its hard for me. Im lefthanded an everyday I see this great Guitar an i cant play on it..

    I should try it like Doyle Bramhall II. 😉

  6. why don’t you simply inverts the strings ? Like Hendrix did 🙂
    Of course Doyle Bramhall II, Albert King or Otis Rush didn’t invert the strings, they played with the strings reversed (ie the thin E on the top), but most of left handed guitarists play “normally” by invert the strings like Hendrix, Mc Cartney and so on.., so it’s not a problem for a left-handed player to play on a right-handed guitar.

  7. Hi,

    Does any body know the neck shape and size of the MKs CAR Dream Machine guitars? They look really thin in the videos!



  8. Possibly you are right and it is rather slim but unless you can get your hands on his guitar you will not know any measurements for sure. Today he likes fatter necks better, one reason he uses some of his previous guitars less, e.g. his first Pensa/Suhrs.

  9. I little note: The wood’s name of the neck is “Pau Ferro” not Pau fero! (its a Brazilian wood!) Pau = Wood, stick . Ferro = Iron! Thx! Bye

  10. I never know guitars could be this awesome. All I know in my life is just electric guitar and nothing more. Never in my dreams that guitars are like cars, so beautiful, elegant and branded :)))

  11. I am extremely impressed with your writing skills as
    well as with the layout on your weblog. Is this a paid theme or did you customize it yourself?

    Either way keep up the nice quality writing, it is rare to
    see a nice blog like this one today.

  12. If anyone wants to know the details on Marks Main CAR Schecter Dream Machine I have pretty much all the details from Tom Anderson himself.

  13. Dave was forced out by Shel and Hershcel. They sunk their teeth into Schecter AND Charvel during 1977. They tried to bust Wayne Charvel, but Grover Jackson came along and screwed up their plans.

  14. I have a very early dream machine made out of paduak. The neck is not too thin and not too fat it’s just right. Nicest strat I ever played!

  15. Hi my name is Jim Jepson I met Dave when he first moved out here from Boston, I repaired guitars in a store in Reseda, CA called Harmony Music from 1971 to 1980. I repaired guitars for Norm Harris when he had just moved out from Miami..I knew pretty much everyone. Wayne Charvel was refinishing for Fender at his house and went by the name Johnny Diamond a stage name.. I met Seymour Duncan when he first moved back from Fender Soundhouse in England..Randy Zacutto of Mighty Mite.. Tom Anderson of Anderson Guitars was taking lessons at Harmony Music and then went to work for Dave.
    Parts of my guitars and basses were used by Schecter Guitar for their vintage series.. My 1950/51 Fender guitar pickguard was used as a guide and template and mt 1958 P-Bass pickguard was used for the anodizing color..Don’t believe me call Tom Anderson at Tom Anderson Guitarworks in Newbury Park, CA (805) 498-1747
    Anyways, I have a very rare pickup Dave made one of his first, when he was living in his little shop on Sepulveda Blvd. in Van Nuys. It is a stacked bobbin front Telecaster made with a handmade steel base plate and is made using old Epiphone baby Humbucking coils trimmed to fit under the original pickup cover of my Nocaster..This authentic please call Tom as he can verify that Dave made this pickup before he went to work for Dave in 1977..If interested in owning a real piece of original Schecter Guitar Research history you can email me at the above address. Price is not cheap but reasonable considering it was made when Dave basically was starving..BTW I introduced Dave to Wayne and Dave made the pickups for the early Charvels..J. Jepson

  16. Hi guys,
    Dave and my dad Bud Hartman became friends around 1990. Dave had a little place in the desert off hwy 138. He and my dad built a guitar or rather my dad did with Daves guidance that I still have. Dad passed about 3 years ago. Dave was A cool guy while I knew him and my dad enjoyed his company.
    The pick ups on this guitar I have always found amazing. Nothing technical to add, just glad I got a chance to meet and be around him and my dad while they gadgeted around.

  17. Sir,

    I have a Fender strat (1977) with what appears to be a Schecter pickguard. As far as I know it was bought in this configuration. I inherited this guitar (actually I married into this guitar, it was my wife’s, first husband’s, stage guitar). It was bought around 1980 (+/-). I have pics, and I can dismount the pickguard to get shots of the back side, if you would like. I would like to know more about this axe, and general values, not that I’m planning to sell it.


  18. Hi. I have a schecter bass with number A0080 serial. Wondering if it is a Van Nuys! How would I figure out? Thx!

  19. Hi. I buy a Schecter ( White strat). The nr on the backplate is 0218. Can sombody tell me something on this guitar i wil be happy.

  20. Hi I have a candy pink schecter strat purchased in Sydney Australia late 1981/ early 1982. The serial number on the neck plate is
    2 x strap pins
    black kluson deluxe tuners
    White Aluminium Pick Guard – 3 Pick Up Strat style 5 position switch
    Cam anyone give me some info?

  21. Lots of incorrect information here. First you are not correct about all necks being one piece, all exotic necks were one piece yes but if you wanted an ebony fingerboard which was a catalog option, the neck was 2 piece and did not have a skunk stripe and was 21 fret!! You could also get the 5 way selector in place of the mini toggles and plastic pick guards are also an option. Please reference the 1983 catalog and price list and review your article.

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