Comparing sound: Schecter Dream Machine vs. Fender Strat

With the following video I was trying to demonstrate the basic sound difference between a vintage Schecter Dream Machine and a ‘traditional’ Strat. The Dream Machine is from about 1980, it has a Koa body and a one-piece Pau Ferro neck. The three pickups in the brass pickguard are the tapped F500T’s. It has s a hardtail brass bridge. The Strat is a 1983 Japanese vintage Squier Stratocaster, unmodified. Of […]

Better picture of Mark Knopfler’s stolen sunburst Schecter Strat

In 1980, shortly before recording the Making Movies album,  Mark Knopfler got several Schecter Dream Machines. It was a sunburst Schecter Strat (serial number S8136) that was used at least on the song Tunnel of Love and that was stolen from the boot of a car near the band’s rehearsal room in Greenwich soon after. There are only a few pictures of this guitar available. They are all from the […]

A few remarks on the Tracker film by Henrik Hansen

The deluxe box set of Mark’s new Tracker album features a short film by the Danish director Henrik Hansen. It is already available on Youtube: I think it is a nice film which shows Mark at work, developing songs for the new record, and at leisure, walking his dogs. I am sure you will enjoy the film very much. With this blog post, I want to discuss a few guitar […]

Total Resistance – Add Sweetness – Remove Harshness – Shaping the sound of your pickups for the Mark Knopfler Sound

I guess most of you know that the value of the volume pot  affects the sound of your pickups. I already wrote a blog post on this some time ago – please refer to this to understand terms like ‘resonance peak’ and what it means for the sound. Today I will cover some more details of this phenomenon, especially with regard to Mark Knopfler’s guitar sound. Does only the volume […]

Which strings for the Sultans of Swing sound? – Comparing 010 and 009 strings

Listening to Sultans of Swing in 1979 was one of the reasons I started to learn the guitar. From this time on I wanted to get that magic guitar sound. One major component for a guitar sound is the right string gauge. I guess you all have heard about using heavier strings to get a fuller sound. On the other hand thinner strings are easier to play, and they give […]

Experimenting with the FS-1 / vintage pickup combination

This week I was playing around a bit with the combination of the fat-sounding DiMarzio FS-1 (FS in fact stands for ‘fat Strat’) plus a ‘normal’ vintage-sound pickup.  I have the DiMarzio in the middle and a MK61  – a reproduction of a 1961 Strat pickup, becoming available exclusively on mk-guitar.com soon – in the bridge position of one of my guitars. For more background information on what this has […]

Building a Telecaster Dream Machine – Part 4 – Brass Hardware

It is a while ago that I started my Tele Dream Machine project. The project advanced and got to a stage where I had a playable fine instrument some months ago (which can be seen e.g. here when I was demoing the Walk  of Life pickups with this guitar). However, various parts were not finished yet, mainly as I was missing some of the required brass parts. Meanwhile I have […]

Kluson guitar tuners for the Schecter Dream Machines

I am an official Kluson dealer now, so you can get the correct Kluson guitar tuners for a Schecter Dream Machine replica now in the online shop of my site. During the Van Nuys era, Schecter used Kluson guitar tuners for their guitars ans basses. I have seen a lot of Schecters from this time with Schaller tuners but I guess that these were not factory-original. Remember that authorized Schecter […]

Mark Knopfler’s effect rack of the Love over Gold (Alchemy) tour in 1982/83

From 1980 on, Mark’s guitar effects were mainly integrated into huge rack systems. At the time of Dire Straits, these were designed and built by Pete Cornish, specialist on high-quality racks and effects for numerous big names like Mark Knopfler, Eric  Clapton, David Gilmour, Lor Reed, … Pictures of Mark’s racks however are extremely rare, mainly because the rack was often located behind the stage, and at least partly operated […]