Amps

The Mark Knopfler Rig on the 2015 Tracker Tour

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Guy Fletcher was so kind to post a picture of Mark’s effect rack in his tour diary . With this blog post I am trying to explain a bit what we can see in the picture, and some details we can conclude from what we see. But first here is what Guy wrote on it: As has been requested on more than one occasion, here is some inside info on Mark’s guitar rig. Glenn Saggers station. As anyone who has seen the show will realise, there are a lot of guitar changes not only for Mark but for everyone. Mr. Saggers works flat out during the show, tuning and preparing amp setups and delivering instruments to Mark flawlessly through the evening. I really don’t know […]

Amps

Music Man Amps are back

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What a nice surprise on this year’s Frankfurt Music Fair:  Music Man amps are coming back.  DV MARK (dvmark.it) displayed reissues of those  silver-black Music Man amps that were popular in the seventies and eighties. Clapton played Music Man amps, Albert Lee played them, and of course Mark Knopfler. He used 130 watts combos on the Communiqué and Making Movies tours. The complete Music Man amp line was discontinued in the early eighties. DV MARK presented reissues of three popular amp models and one speaker cabinet: the HD 130 Reverb top (the model Eric Clapton played) with a 4 x 12″ cabinet, the 112 RD 50 (a very popular small combo with an additional tube for the overdrive), and of course the “Mark Knopfler model” […]

Amps

Jim Kelley amps – the FACS model used on the Brothers in Arms tour

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Jim Kelley  was a small manufacturer of boutique amps who started his business in the late 70ies. He started with only one amp model, a single channel amp with 6 tubes and just 3 knobs. The  later dual channel was still based on this model. Compared to other boutique amp that were favourits at that time – namely Mesa Boogie or Dumble – the Kelley amps followed a different approach. While the Mesa Boogies had lots of controls and options (various push/pull knobs, EQs, different gain stages etc.), the Kelley had just 3 knobs and followed the idea of having a simple signal path without any redundant components to obtain a pure and natural sound. While the Mesa Boogie made use of two different pre-amp […]