In 1982 Dire Straits recorded their Love over Gold album in New York. According to Knopfler himself, he spent some time before with learning new chords and licks from a book by Mickey Baker. This circumstance, and the collaboration with Jazz musicians of the New York jazz scene – like Mike Mainierei, Michael & Randy Brecker or Tony Levin – seem to be the reason why sudenly more jazz elements […]
In May 1979 Mark Knopfler and Dire Straits drummer Pick Withers were invited to play on Bob Dylan’s new album, Slow Train Coming. This was not the first session Mark Knopfler was asked to play on (he already played on the Steely Dan song Time out of Mind and with Mavis Staple before), but it was the first session for a complete album. The idea came from Barry Becket and […]
This week was again a rather busy one, so not much time for the next article. All I have is a video of me playing Romeo and Juliet on that National Style-O (read style-“Oh”, the letter not the number, see this article for some detail pictures of this guitar), but there are no instructions or explanation. If you want you can check it out nevertheless, see below. This guitar is […]
This article is about a “two-strings scale” sometimes called Memphis Scale. Normally these two strings are not adjacent strings, instead you skip one string and play licks e.g. on the D- and B-string (as in the video examples below), or on the G- and high E-string. With the help of these licks you will increase your vocabulary on the guitar. Whenever you are in danger of running out of ideas […]
What I mean with double-string bends are licks that are played on two or more strings and one or more of these are bent. Such licks appear in countless Mark Knopfler or Dire Straits songs. The following video clip demonstrates how to use such licks, and their relation to the chords they are based upon. Note that the last licks (Once Upon a time and Sultans of Swing) were covered […]
This time I will start with some very basic stuff: major and minor chords. Every guitar beginner soon learns that there is e.g. an A major chord, and an A minor chord. Obviously they are similar, they just differ in one single note (in case of the first position chords, in the example it is either the 2nd (A) or 1st (Am) fret on the b string). You need to […]
Today the Orange Squeezer compressor by Dan Armstrong is an almost legendardy guitar effect. An essential portion of this fame is probably due to the fact that it is often named as an ingredient for the early Mark Knopfler / Dire Straits sound. Ironically this goes back to my old Dire Straits Guitar Page which was the first site in the web to mention the Orange Squeezer as part of […]
The last poll about what you would like to read here is still running (so vote if you haven’t yet), but it seems to be clear that many readers want to read about licks (or rather want to see something as video I guess). So here a quick reaction (to be honest, I started to work on this video anyway 😉 ) This post is about a typical Mark Knopfler […]
I set up a poll about your wishes for future articles, it can be found under pages (so that it will be up for some time) or directly here (up to 4 possible answers). If you have further suggestions, please use the comment function on that page (click here) instead of the one under this article. Thanks.
Imitating the sound of a freight train whistle seems to be an obligatory part of all blues players’ vocabulary. For this purpose Mark Knopfler often uses a particular chord, a chord that appears on songs like Eastbound Train or Gravy Train (live), but also on the The Bug. The chord in question is often called a 6/#9 chord (sometimes also denoted as 6/10). Remember, the numbers indicate the interval from […]